{"id":277,"date":"2017-06-11T14:57:39","date_gmt":"2017-06-11T14:57:39","guid":{"rendered":"http:\/\/faculty.fiu.edu\/~dolatad\/wordpress\/?page_id=277"},"modified":"2021-05-11T21:03:30","modified_gmt":"2021-05-11T21:03:30","slug":"color-illustrations","status":"publish","type":"page","link":"https:\/\/faculty.fiu.edu\/~dolatad\/color-illustrations\/","title":{"rendered":"Color Illustrations"},"content":{"rendered":"

These are color versions of the black and white illustrations in the book as well as additional related illustrations.<\/p>\n

Color Versions of Plates<\/h2>\n

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Plate 1.<\/strong>\u00a0 Antonio Domenico Gabbiani (1652\u20131726): Lirone enarmonico in detail of The Prince Ferdinando de\u2019 Medici and the Musicians of the Court<\/em>\u00a0(c. 1684). Galaria Palatina, Palazzo Pitti, Florence, Italy. Scala\/Art Resource, NY.<\/p>\n

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Plate 2.<\/strong> \u00a0Nicholas Tournier (1590\u2013c.1639): Detail of Le Concert<\/em>. Louvre, Paris.\u00a0 \u00a9 RMN-Grand Palais\/Art Resource, NY.<\/p>\n

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Plate 3.<\/strong> \u00a0Carlo Saraceni (1585\u20131620): Detail of St. Cecilia.<\/em> Galleria Nazionale d\u2019Arte Antica, Rome. Scala\/Art Resource, NY.<\/p>\n

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Plate 4.<\/strong> \u00a0 John Michael Wright (c. 1617\u20131700): Lady with a Theorbo<\/em> (c. 1675). Columbus Museum of Art, Ohio: Schumacher Fund Purchase 1963.033.<\/p>\n

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Plate 5.<\/strong> \u00a0Albrecht D\u00fcrer (1471\u20131528): \u201cThe Draughtsman with Lute,\u201d from his Treatise on Mensuration with the Compass and Ruler in Lines, Planes, and Whole Bodies<\/em> (1525). Kupferstichkabinett, Staatliche Museen, Berlin, Germany. Volker-h. Schneider\/Art Resource, NY.<\/p>\n

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Plate 6. \u00a0<\/strong>Andres Bouys (1656\u20131740): Portrait of the composer and musician Marin Marais (1656-1728).<\/em> Bibliotheque Nationale de l’Opera, Paris. \u00a9 RMN-Grand Palais\/Art Resource, NY.<\/p>\n

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Plate 7.<\/strong> \u00a0Michelangelo Merisi known as Caravaggio (1573\u20131610): The Musicians <\/em>Metropolitan Museum of Art, NY. Art Resource, NY.<\/p>\n

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Plate 8.<\/strong> \u00a0Theodor Rombouts (1597\u20131637): Detail of Musical Company with Bacchus<\/em>. The Kremer Collection (www.thekremercollection.com).<\/p>\n

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Plate 9.<\/strong> \u00a0Giovanni di Jacopo Rosso Fiorentino (1494\u20131541): Angelo che suona il liuto <\/em>(c. 1520). Galeria degli Uffizi Florence. Gianni Dagli Orti\/The Art Archive at Art Resource, NY.<\/p>\n

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Plate 10.<\/strong> \u00a0Detail of Hendrick ter Brugghen (1588\u20131629): The singing lute player<\/em>. The Kremer Collection (www.thekremercollection.com).<\/p>\n

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Plate 11.<\/strong> Giulio Campi (1502\u20131572): Portrait of a Lutenist. <\/em>Pinacoteca Civica, Como.<\/p>\n

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Plate 12.<\/strong> \u00a0 Evaristo Baschenis (1617\u20131677): Selfportrait with the Count Alesandro Agliardi with Instruments <\/em>(c. 1637\u20131677). Painting belonging to the Count Agliardi Collection of Bergamo, Bergamo, Italy. Alinari\/Art Resource, NY. [not available in color]<\/p>\n

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Plate 13.<\/strong> \u00a0Giulio Campi (1502\u20131572): Overlay of 3D Fretting Grid on detail of Portrait of a Lutenist. <\/em>Pinacoteca Civica, Como. Courtesy of Tim Watson.<\/p>\n

Color Versions of Selected Figures<\/h2>\n

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Figure 2.1.<\/strong> \u00a0Fretboard of English Cittern. National Music Museum, The\u00a0University of South Dakota, Bill Willroth Sr., Photographer.<\/p>\n

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Figure 2.2.<\/strong> \u00a0Palmer Orpharion. Photo by Ture Bergstr\u00f8m courtesy of the Danish Music Museum.<\/p>\n

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Figure 6.1<\/strong>. \u00a0Peg Hole Knot<\/p>\n

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Figure 7.1.<\/strong> \u00a0Baroque Lute in 1\/5-comma Meantone Temperament set for A Major.<\/p>\n

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Figure 7.3.<\/strong> Old Fret Segment Tastino Prepared for Attachment with Tape and Forceps.<\/p>\n

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Figure 7.4.<\/strong> \u00a0Old Fret Segment Tastino Attached with Tape.<\/p>\n

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Figure 7.5.<\/strong> \u00a0Toothpick Tastino Prepared for Attachment with Tape and Forceps.<\/p>\n

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Figure 7.6.<\/strong> \u00a0Toothpick Tastino Attached with Tape.<\/p>\n

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Figure 7.7.<\/strong> \u00a0Tastino Insert. Photo Courtesy of Maurice Ottiger.<\/p>\n

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Figure 7.8.<\/strong> \u00a0Flush Insert. Photo Courtesy of Maurice Ottiger.<\/p>\n

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Figure 7.9.<\/strong> \u00a0Lute with G# Tastini. Photo courtesy of Micheal Kudirka.<\/p>\n

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Figure 9.1.<\/strong> \u00a0Viol Self-locking String Attachment to Peg [black and white for contrast].<\/p>\n

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Figure A1.1.<\/strong> \u00a0 Cleartune Screenshot: A = 440 Hz.<\/p>\n

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Figure A1.2.<\/strong> \u00a0Cleartune Screenshot: A = 220 Hz.<\/p>\n

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Figure A1.3.<\/strong> \u00a0Cleartune Screenshot: A = 415 Hz.<\/p>\n

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Figure A2.1<\/strong>. \u00a0Cleartune Screen Shot: Options.<\/p>\n

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Figure A2.2.<\/strong> \u00a0Cleartune Screen Shot: Temperament.<\/p>\n

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Figure A2.3.<\/strong> \u00a0Cleartune Screen Shot: Add Temperament.<\/p>\n

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Figure A2.4.<\/strong> \u00a0Cleartune Screen Shot: Edit Temperament<\/p>\n

New Figures<\/h3>\n

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Theorbo with glued on frets.<\/p>\n

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Palette Knife.<\/p>\n

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Neil Haverstick’s 22-fret guitar. Photo courtesy of Neil Haverstick.<\/p>\n

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John Schneider’s Microtonal Guitar and Fretboards. Photo courtesy of John Schneider.<\/p>\n

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Tolgahan \u00c7o\u011fulu and his microtonal guitar. Photo courtesy of\u00a0Tolgahan \u00c7o\u011fulu.<\/p>\n

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Using forceps to prevent string from jamming up against cheek.<\/p>\n

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Jordi Savall with his 1st fret moved toward the nut so to make mis<\/em> available on bass side.<\/p>\n

Blog<\/a><\/p>\n

Addenda<\/a><\/p>\n

Reviews<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

These are color versions of the black and white illustrations in the book as well as additional related illustrations. Color Versions of Plates Plate 1.\u00a0 Antonio Domenico Gabbiani (1652\u20131726): Lirone enarmonico in detail of The Prince Ferdinando de\u2019 Medici and the Musicians of the Court\u00a0(c. 1684). Galaria Palatina, Palazzo Pitti, Florence, Italy. Scala\/Art Resource, NY. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-277","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/faculty.fiu.edu\/~dolatad\/wp-json\/wp\/v2\/pages\/277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/faculty.fiu.edu\/~dolatad\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/faculty.fiu.edu\/~dolatad\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/faculty.fiu.edu\/~dolatad\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/faculty.fiu.edu\/~dolatad\/wp-json\/wp\/v2\/comments?post=277"}],"version-history":[{"count":28,"href":"https:\/\/faculty.fiu.edu\/~dolatad\/wp-json\/wp\/v2\/pages\/277\/revisions"}],"predecessor-version":[{"id":657,"href":"https:\/\/faculty.fiu.edu\/~dolatad\/wp-json\/wp\/v2\/pages\/277\/revisions\/657"}],"wp:attachment":[{"href":"https:\/\/faculty.fiu.edu\/~dolatad\/wp-json\/wp\/v2\/media?parent=277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}