Classical African Religions and Spirit Bodies

 

“Puritanism” refers to a set of theological and moral ideas in general and a specific Protestant sect in particular.  Among the most salient features of the ethos is the systematic abstention from and denunciation of "worldly" pleasures.  Consequently, the Puritan attitude, often ascribed to American culture, tends to object to dancing, at least, to dance as a source of non-Godly pleasure.  Dances almost everywhere outside of Western culture are predominantly sacred, components of ceremonies at least part of whose meaning has to do with relationships with supernatural forces.  Judaism and Christianity, as monotheistic religions are “jealous” religions, suspicious if not out-right hostile to religious traditions which purport deities other than their own.  There has been a longstanding tendency in these Western religions to be equally suspicious of all dance as pagan in association if not intent.  Maypole dances look suspiciously like phallus worship, the Abbots Bromley Horn Dance is obviously up to no good. 

 

Alfred Sendry in his survey of dance in ancient Israel notes a suspicious likeness between the dances currently there and the ritual dances practiced in Egypt when Israelites sojourned there (Sendry 1974 221-244).  The spokesmen for the official religions could either adopt such dance or try to beat it.  When people of the later persuasion speak of "dance," they are usually thinking of a particular set of suspect dances without considering whether other, unobjectionable dances might exist.

 

Fashions in attitudes changes in these matters.  At some times and places, "[r]espected rabbis did not consider it beneath their dignity to dance before the bridal couple, and several were so famous for their artful dancing that the rabbinical writers gave them special praise," including "the most distinguished of his times, Rabban Simeon ben Gamaliel," who "performed a torch dance with either burning torches, throwing them alternately in the air and catching them, and none of them touch the ground when he prostrated himself , touch the floor with his fingers, kissed the ground, and leaped up again" (Sendrey 1974, 234).  Other rabbinical authorities sat the "the 'arkestes [orchestes, a word for dancer] is the emptiest of empty," and so forth (Sendrey 1974, 238).

 

The religious objections to dancing just mentioned are, of course, to dancing and not to dance theory.  But their effect is both to make dancing taboo and to imply that the main significance of dance is ritual rather than aesthetic, so that a theory of fine art would be inappropriate.

 

African Cosmology

 

Re Ligare = Re-Link = Religion Western Idea of restoration after the fall: i.e. Salvation.

 

But in many African religions there is not the need to "re-link."

 

Hierophany- That material thing which is a manifestation of the Holy.

 

Hierophant- A person who makes manifest the Holy in our presence.  (Tarot Card - represents a "link" to the divine.)

 

According to Mircea Eliade, the sacred is to be sharply delineated from the profane and for traditional man, myths describe "breakthroughs of the sacred (or the 'supernatural') into the World" — that is, hierophanies

 

The Cosmologies of Native African Religions are important because they are distinct from what might be termed Western and Asian Cosmologies (Platonic Dualism/ Christian Teleology and Pantheism).  Rather than conceive of Spirit and the spiritual realm as a fixed transcendence, one from which we are "fallen" and to which we must try to return, a cosmology which views death as the release of the spirit to a "better realm,” a means of eventual escape/ salvation, the African worldview sees this realm of the living as our natural and eternal home, one to which we are happy to return indefinitely.  The pleasure one takes in food and drink, in music and dance are holy, sacred pleasures, desired by the living and the dead. 

 

Bear in mind, Africa is a continent, not a country, much less a monolithic culture.  But we can draw a most a rough outline from Yoruba (West Africa) and Congo (Central Africa) traditions an “African” cosmology which will contrast with a “European” one.  Most classical native African religions are based on either or both.

 

Several Related Classical African Religions Traditions

 

Yoruba: West Africa (Nigeria, Benin, and Togo).

 

Founder -Oduduwa

Oris(h)as

Head - Olorun (expresses a sense of ultimate unity)

Ogun (Iron, War, Hunters)  Life requires defense and destruction of others (opponents, food animals).

 

Nuer Religion (herdsmen of Southern Sudan, who worship a sky deity.  E.E. Even-Pritchard's book made their religion and African religions in general, more acceptable to the Western mind by emphasizing the similarities between the Sky-spirit and the God of Western Theism.)

 

Mbuti (rain forest of central Zaire).  Require the rousing of forest spirits though music (and dance).

 

Zulu (Natal, beneath the Drakensberg Mountains).  Sees the world as having a large invisible community stretching far beyond the human.  Recent ancestors -amadlozi- (less than three generation back) need to be appeased.  Women are especially susceptible to the possession by spirits; when this happens it gives them shamenistic powers.

 

It there is now a sense of "African Unity" it is in response to colonialism.

 

Commonalities

 

The divinities are human shaped, and centered on the concerns of human life and human activities.  There are dynamic, this-worldly models of Divinity.  Rituals of sacrifice have the power to bring spirits into the presence of the worshipper. The conception of the seen and unseen world is a unified one.

 

Anthropomorphic  (Human Shaped)

 

The religious traditions are ones of “Refracted Theism”

 

 

Various Myths which suggest that the Supreme Being God is remoter from and annoyed with humans.  The daily concerns, even death, are left to other powers.  Further, death our natural process and not the result of a moral transgression as it is in the Hebraic religions.  The survival of death not a major concern because while death is a transition, it is neither passing into oblivion nor the threat of damnation.  Dead ancestors are to be treated with respect.[1]

 

Ethics then seem to be based on social harmony, as opposed to "the rights of the individual."

 

 

Uzima

 

Uzima is a life force which surround and binds us to one another and all living things.

 

Manifestations of this Uzima

 

 

Chofe' -to heat up, to invigorate (in vigor -put in life Uzima)

 

Sacrificial offerings are important:

 

 

The spirit world responsive to music, which is, at the same time, divine.  One gains the sense of numinous, uncanny powers.  During rituals, participant can be possessed by a spirit.

 

"In a real way, then, the deities of Africa are really present in society and are commonly experienced.  They are not theoretical entities, but living presences, as also are the ancestors.  The mountains and the rivers and the prairies and the jungles are laced with their presences, and they are the scene in which the drama of human history takes place, and Fate weaves its pattern.”[2]

 

The idea ion of eminent spiritual being (gods and ancestors); they share the same space with us the living.  Also, their existence is similar to ours (eating, drinking, etc.)  Natural and human-made shrines are sites of concentrated power (life force).  So the actual space/ locations matter.  These are sacred to or home to deities.[3]

 

"the morning mists are referred to as the smoke from the cook fires of the dead." 

 

Thus drums (fashioned from sacred trees) are themselves sacred and sacramental.  They are manifestations of uzima and can invigorate us, our ancestors and the deities themselves.  Dance too is pulsating life force which manifests the sacred.

 

Art symbolic rather than representational (mimetic).

 

Masks and body painting outward signs of temporary possession by a deity.  Also though a symbolic dance.  The dance being an outward manifestation of the presence of the deity.

 

Spiritual Beings in order of power:

 

Nzambe'- Creator God (remote)

 

Orishas- Intermediate Deities (not unlike the Western notion of Spirits Beings or Angels)

 

Simbi- Local Spirits attached to regions, places.

 

Children/ Elders (closer to points of transition)

 

Other People

 

Animals

 

Plants/ Trees

 

Inanimates

 

Guine'e -Land of Origin, Eden, Heaven

 

Traditional belief is that we are all re-born.

 

Metaphor for Cosmos

 

Two mountains joined at the base, separated by a river (Nazadi).

 

  1. Land of the living (upper mountain) and
  2. Land of the Dead (lower mountain).

 

Metaphor for our life cycle is one of The Day

 

 

Note there is no notion of "escaping the cycle" or transitioning to “another transcendent realm.”  The upper and lower worlds are inverses of each other however.  "We are born as black in a world of white, but as ancestors we are born white within a world of black."  The land of the dead is black, cold, the food is bad.  But as a dead ancestor has a great deal of power to act on behalf of his decedents, particularly one he reaches “midnight.” The ancestors need to be care for and fed.  (They enjoy palm wine and cola nuts.)

 

Midnight is midpoint in one's life as an ancestor.  One of 4 things can happen.

 

  1. You are forgotten.  If forgotten by your family, you may simply cease to exist.

For this reason, an ancestor might wreak havoc on decedents if they are forgetting him.

Sickness is tied to religion because a disease may be the way a deity or ancestor is trying to get your attention.  Once brought to light (and healed) you are then closer to the deity or ancestor.

  1. Become an Ensorcering Agent

Transmuted into an animal which prowls at night and eats children.

Sorcerer as anti-social.

Malevolent and dangerous, but not "Satanic."

  1. May become a lizard.
  2. May move towards rebirth

This is the desired option.

 

For #4, it is essential that your decedents have many children who honor your memory.  A large family is a spiritual obligation. (A traditional African Name "Babatunde" means "Father has returned.")

 

Master Symbol is the encircled cross

 

 

Many religious traditions developed in Central and South America with elements of these African traditions.  They retain this notion of dynamic deity among us.

 

Syncretic Religions- Religions and religious practices that arise from the blending of iconography/ dogma of two or more distinct pre-existing religious traditions. EX. Haitian Vodou, Santeria )

 

Mix, Mask, Mosaic.

 

The native religions of West and Central Africa do not possess the theology of a jealous God, therefore, not the same need/justification for authoritarian control of "the official dogma" against which judgements of "heresy" are made. (Consider the Politics of consolidated religious power.)

 

Controversy whether these religions are "polytheistic."  Are the Orishas "gods." May be misreading the religion by approximating it to western religious constructs (Ethnocentrism).  May be considered Monotheisms.  Not because monotheism is "better" or more "advanced," but because it seems accurate.

 

 



[1] Consider the atrocity of trans-Atlantic slavery, magnified by the loss of physical proximity to the ancestors and psychological connection to ancestry.  Similar experiences in the history of the native peoples of the United States.

[2] Smart, Ninian; The World Religions; Cambridge University Press; 2 edition (June 28, 1998) Page 315

[3] Notice another point of contrast with the Platonic/ Christian tradition.  (e.g. Matthew 18:20)Even the Jewish tradition moved a little bit away from its attachment to sacred locations with the destruction of the 2nd temple.