Monday

Tuesday

Wednesday

Thursday

Friday

 

8/21/23

8/22/23

8/23/23

8/24/23

8/25/23

 

 

 

 

 

 

Assignments Due

 

 

 

 

 

Lectures & Notes

Welcome

Logic: Formal and Informal

Argument Analysis: Argument for Vegetarianism

Video Lectures

 

 Readings

 

Week 2

8/28/23

8/29/23

8/30/23

8/31/23

9/1/23

 

Last Day to Add/Drop

 

 

 

Assignments Due

 

 

 

 

 

 

Lectures & Notes

PHI3800 Lecture 3 - Origins of Beauty

 

The Origins of Beauty: Beauty in Classical and Medieval Thought

Pre-Platonic Priming

Halo Effect

The Beauty Bias: Beauty and Perceptions of Goodness, Excellence and Competence

Beauty and Perceptions of Truth

Ted Bundy

Plato on “Beauty”

Aesthetic Ramifications of this Metaphysical View

The Transcendentals

Two sorts of beautiful things

Contemplation

Beauty After Plato

St. Augustine (A.D. 354 - 430)

Boethius b 480; died at Pavia in 524 or 525

St. Thomas Aquinas (A.D. 1225 1274)

Marsillio Ficino (1433-1499)

Girolamo Savonarola

The Spell of Plato (or the spell of beauty?)

 

Video Lectures

 

 Readings

 

Week 3

9/4/23

9/5/23

9/6/23

9/7/23

9/8/23

 

 

 

 

 

Note:

Sunday 9/10/23

Last Day to Apply for graduation at the end of Fall 2023 term

Assignments Due

 

 

 

 

Lectures & Notes

PHI3800 Lecture 4 - Modern Theories of Beauty

 

Modern Theories[1] of Beauty –

The Seventeenth, Eighteenth, and Nineteenth Centuries: Taste and the Decline of Beauty

Three Main Types of Theories of Taste:

Reasons for decline of Beauty: (Preview of coming attractions)

Francis Hutcheson (1694‑1746)

Third Earl of Shaftesbury (1671‑1713)

David Hume (1711 – 1776)

Alexander Baumgarten (1714‑1762)

Edmund Burke (1728‑1797)

·         Love and Beauty:

·         Delight and the Sublime

·         Disinterestedness

Archibald Alison (1757-1839)

·         Faculty of Taste

·         Association of Ideas

·         There is an Objective Condition

·         Process Functioning of the Faculty of Taste (A Complicated Story)

Immanuel Kant (1724—1804)

·         Rejected Empiricist Tenants

·         Kant’s Insights: (See Note on Kant’s Metaphysics/Epistemology for more details.)

·         Kant’s Aesthetic Theory

·         Disinterestedness

·         Universality

·         Necessity

·         Form of Purpose

Problems with Kant

Arthur Schopenhauer 1788-1860

·         Romantic (Spooky) Metaphysics

Problems with Schopenhauer

Cognition

Disinterestedness

Universal Subjective Judgments and Association of Ideas

Upshot of this Association of Ideas Theory

Disinterestedness

Summary of Modern Theories of Taste

 

Video Lectures

 

 Readings

Dickie: Chapter 2

Fenner Text:

Part One Experiences (5)

 

Fenner Text:

Chapter One: Aesthetics Experience (7)

 

Fenner Text:

Chapter Two: The Aesthetics Attitude (15)

Section One: Disinterest

Section Two: Recent Views

 

"Of the Standard of Taste"  David Hume

 

Dickie: Chapter 3

Part Two Objects and Events (31)

 

Fenner: Chapter 3: The Aesthetic Object (33)

 

Interesting TED Talk on Darwinian Theory of Beauty

https://www.ted.com/talks/denis_dutton_a_darwinian_theory_of_beauty?language=en

 

Week 4

9/11/23

9/12/23

9/13/23

9/14/23

9/15/23

 

 

 

 

 

 

Assignments Due

 

 

 

 

 

Lectures & Notes

PHI3800 Lecture 5: 20th and 21st Century Theories of Beauty

 

The Aesthetic Attitude in the Twentieth Century

Three Versions of the Aesthetic Attitude Theory

1. The Aesthetic State: Psychical Distance

·         Under-distancing

·         Over-distancing

·         Problems

·         Pros

2. Aesthetic Awareness: Disinterested Attention

·         Eliseo Vivas's Conception

·         Problems

·         Consider Vivas's Contentions About Literature as Aesthetic Object

#3 Aesthetic Perception: "Seeing As" (Virgil Aldrich)

·         Pros

·         Problems

·         Dickie’s Concluding Remarks

 

Video Lectures

 

 Readings

 

Week 5

9/18/23

9/19/23

9/20/23

9/21/23

9/22/23

 

 

 

 

 

 

Assignments Due

 

 

 

 

 

Lectures & Notes

PHI3800 Lecture 6 - Real Beauty

 

Real Beauty[1]

Eddy M. Zemach

MIDWEST STUDIES IN PHILOSOPHY, XVI (1991)

 

Set Up

Five Arguments In Brief

1.       Argument from Aesthetic Relativism/ Subjectivism[KH1] 

·        By Analogy from Common Stimuli

·        By Analogy from Common Reaction

·        By Analogy from Other Predicates

Aesthetic Anti-realism Is Not True

2.       Standard Observation Conditions

3.       Proofs from Scientific Realism

Are Aesthetic Explanations Impotent?

·        Response

4. Proofs from Scientific Realism 2

5. Proofs for Metaphysical Realists

Notes

Video Lectures

 

 Readings

“Real Beauty” Eddy Zemach

 

Week 6

9/25/23

9/16/23

9/27/23

9/28/23

9/29/23

 

 

 

 

 

 

Assignments Due

 

 

 

 

Lectures & Notes

PHI3800 Lecture 7 - Mimetic Theories of Art

 

4 Different Theories of Art: Plus some others

1. Mimetic Theory of Art

Plato on Mimetic Art

Aristotle’s Critical Responses

Organic Unity

Catharsis

Consequences for Dance

 

Video Lectures

 

 Readings

Fenner Text:

Chapter 4: Defining “Art” (37)

Section One: Why define art? (37)

Section Two: Imitation and Representation- The Ancient Greek View (41)

 

Dickie Text: Chapter 5

Week 7

10/2/23

10/3/23

10/4/23

10/5/23

10/6/23

 

 

 

 

 

 

Assignments Due

 

Exam 1

 

 

Lectures & Notes

PHI3800 Lecture 7 - Mimetic Theories of Art

 

4 Different Theories of Art: Plus some others

 1. Mimetic Theory of Art

Plato on Mimetic Art

Aristotle’s Critical Responses

Organic Unity

Catharsis

Consequences for Dance

 

Video Lectures

 

 Readings

Week 8

10/9/23

10/10/23

10/11/23

10/12/23

10/13/23

 

 

Assignments Due

 

 

 

 

 

 

Lectures & Notes

 PHI3800 Lecture 8 - Theories of PHI3800 Visual Representation

 

My notes from Nelson Goodman’s (1906 – 1998) Languages of Art

Denotation

Theories of Pictorial Representation

1.  The Most Naive (Resemblance)

2. Representation as Imitation/ Realism

Ernst Gombrich: “no innocent eye

Possible Objection to Radical Relativism of Realism (Realistic Depiction) : Perspective

Possible Objection to Radical Relativism of Realism (Realistic Depiction) : Perspective

Problems:  Weird as an Account of What is Going on in (Realistic) Pictorial Depiction:

1. Consider Required Restrictive Conditions of Observation:

2. Consider The Abnormality of the Required Conditions

3. Consider The Effect of Previous Experience

4. Consider the Infrequency of Such Contrived Viewing

Conclusion: Pictures in perspective, like any others, have to be read

Possible Objections to GBP:

·        Photos

·        Sculpture

·        Fictions

The Repercussions of this for Art Appreciation and Criticism:

Goodman’s Nominalism

Possible Remaining Answer #1:

Possible Remaining Answer #2:

Conclusion

 

Video Lectures

 

 Readings

 

Week 9

10/16/23

10/17/23

10/18/23

10/19/23

10/20/23

 

 

 

 

 

 

Assignments Due

 

 

 

 

Lectures & Notes

PHI3800 Lecture 9 – Formalism

 

Theories of Art: Formalism

Autonomy and Art for Art’s Sake

Formalism

Form and Content

Formalism Proper: History Of

Modernism

Clive Bell and Aesthetic Emotion

Controversial Points

Formalism and Music

Understanding and Appreciating Music
Abstract Art and the Value of Form

Problems

Four Puzzling Facts About “Significant Form” (whatever it is)

Thus, Some Objections

Formalism Sum Up

Several Final Objections to this View

 

Video Lectures

 

 Readings

Fenner Text: Chapter 4:

Section Five: Formalism (60)

 

Dickie Text : Chapter 6

 

Clement Greenberg : “Modernist Painting”

http://cas.uchicago.edu/workshops/wittgenstein/files/2007/10/Greenbergmodpaint.pdf

 

Yvonne Rainer: Minimalist Dance

http://www.youtube.com/watch?v=aggv4jybdaY

Week 10

10/23/23

10/24/23

10/25/23

10/26/23

10/27/23

 

 

 

 

 

 

Assignments Due

 

 

 

Lectures & Notes

PHI3800 Lecture 10 - Media Formalism

 

Theories of Art: Media Formalism

 

“Modernist Painting” 

Similar to Formalism (Proper)

Differs from Formalism (Proper)

Four Central Propositions

Pros

Problems with Media Formalism

 

Video Lectures

 

 Readings

Dickie Text: Chapter 8

 

Week 11

10/30/23

10/31/23

11/1/23

11/2/23

11/3/23

 

Last Day to Drop with a DR Grade

 

 

 

 

Assignments Due

Paper 1a

(Upload to Canvas before Midnight)

 

 

 

Lectures & Notes

PHI3800 Lecture 11 - Expressive Theory- Tolstoy

 

What is Art?

Three Definitions of Art

Art and Speech

Tolstoy’s Definition

Genuine Art and Counterfeit Art

"The Feeling”

Evaluating Art: Force of the Feeling

Evaluating Art: Subject Matter

Religious Perception

Three Problems

 

Video Lectures

 

 Readings

Fenner Text:

Section Four: Expressionism (52)

What Is Art?  Excerpts (Tolstoy)

 

Week 12

11/6/23

11/7/23

11/8/23

11/9/23

11/10/23

 

 

 

 

 

Assignments Due

Peer Review of Paper 1

(Upload to Canvas before Midnight)

 

 

 

Lectures & Notes

PHI3800 Lecture 12 - Hegel's Romantic Theory of Art and Rejection of Dance

 

Romantic Theory of Art

The “Fine” Arts

Romantic versus Enlightenment Thinking

Icons of Romantic Art

Classic (Iconic) Works of Romantic Art

Georg Hegel (1770 – 1831)

Kant’s Critique of the Limits of Pure Reason

Hegel’s Response to Kant (Hegel and The “Knowable”)

Hegel and Reality

Art, Religion, and Philosophy

Hegel's System of the Art

Art Three Stages

·        Symbolic Art

·        Classical Art

·        Romantic Art

The End of Art

 

Video Lectures

 

 Readings

Fenner Text: Chapter 4:

Section Three: Romanticism (47)

 

Week 13

11/13/23

11/14/23

11/15/23

11/16/23

11/17/23

 

 

 

 

 

 

Assignments Due

Paper 1b

(Upload to Canvas before Midnight)

 

 

 

 

Lectures & Notes

PHI3800 Lecture 13 - Expressive Theory- Collingwood


Collingwood Differs with Tolstoy in Three Major Ways

Questions Which Must be Addressed

Jenefer Robinson[1] on Collingwood

(At least) 3 ways of Expressing in Art

Three Problems with Collingwood Account of Expressive Theory

Paradox of Fiction: An Inconsistent Triad

 

 

Video Lectures

 

 Readings

 

Week 14

11/20/23

11/21/23

11/22/23

11/23/23

11/24/23

 

 

 

 

Thanksgiving University Closed

Assignments Due

 

 

 

Lectures & Notes

PHI3800 Lecture 14 - Institutional Theories of Art

 

“The Artworld” Arthur Danto

Key Insight

The Search for Signs of Intelligent Life in the Universe

Danto’s Answer to the Conundrum

Imitation Theory and Reality Theory

The “is” of Artistic Identification

In Sum

Conclusion

Part IV  Style Matrix For Art

 

Video Lectures

 

 Readings

"The End of Art"  Arthur Danto

“The Role of Theory in Aesthetics” Wietz

“After the End of Art”

 

Irene Caesar asks Arthur Danto about the end of art - YouTube

 

Chapter 5: Creations and Recreations (75)

Part III Meaning (83)

Fenner Text:

Chapter 6: Interpreting Art (85)

Week 15

11/27/23

11/28/23

11/29/23

11/30/23

12/1/23

 

 

 

 

 

 

Assignments Due

 

 

 

 

 

Lectures & Notes

PHI3800 Lecture 15 - Postmodernism and The Re-enchantment of Art

 

Modernism, Postmodernism and Post-postmodernism

 Modernism in Art and Culture

Other Features of Modernism

Postmodernism

The Re-enchantment of Art  Suzi Gablik (Selections)

Re-enchantment of the World.

 

Video Lectures

 

 Readings

Fenner Text: Chapter 4:

Section Six: Antiessentialism (65)

Section Seven: The Artworld (69)Fenner Text:

 

Week 16

12/4/23

12/5/23

12/6/23

12/7/23

12/8/23

Final Exam Week

Assignments Due

 

 

 

 

 

Lectures & Notes

 

 

 

 

 

Video Lectures

 

 

 

 

 

 Readings

 

Week 17

12/11/23

12/12/23

12/13/23

12/14/23

12/15/23

 

 

 

 

 

 

 

 

Final Grades Due

Complete grade report available to students by web

 

Lectures & Notes

 

 

 

 

 

Video Lectures

 

 

 

 

 

 Readings

 

 

 

 

 

 



[1] Don’t be fooled by the name. “Modern Philosophy starts in the 1600s.  In the same way that Galileo Galilei (1564-1642) is considered the first “Modern Scientist,” René Descartes (1596–1650)is considered the first “Modern Philosopher.  With the advent of the scientific revolution we see that both modern science and modern philosophy break with the Classical World View of Plato and Aristotle, reject their explanatory models and resources and adopt new ones.  We also see a rejection of “direct realism” (AKA: naive realism) and the adoption of representation realism.